Friday, 30 June 2023

Collision 2023 whizzed by with plenty on AI

Collision 2023 talk with Hinton
Godfather of AI: Geoffrey Hinton... he's the tiny figure in the centre. Squint and you can see him.

I dropped in on Collision 2023 during the week. It's billed as the biggest tech industry event in Canada. 

Think of your usual office meeting. Now set it in the middle of a Madonna concert: that's Collision. 

I don't think I'm as used to so much cacophony since COVID.

The day's top billing was with the Godfather of AI, Geoffrey Hinton. The rest was filled with big sounding talks like The Future of Quantum Computing, but which really were just company sales pitches. I bet investors get the same deal. Rather than higher level or theoretical discussion, it was the limited perspective and plans of a single company. 

If I made a social media app and then billed a talk as 'The Future of Social Media', that'd be disingenuous. 

The talk itself was fine for what it was; I just felt the title advertised something the talk was not. 

Another presenter was still with Google. Now Google is in so many ways awesome, putting out products we are hopelessly addicted to. However, this mouthpiece was so peppy, positive and reassuring about everything AI it verged on soporific. 

And honestly, I've listened to car salesmen I'd trust more. I don't buy the corporate line there will be no job loss thanks to AI. 

Creative Destruction has been bringing diminishing job creation returns, while productivity boosts drive money to the owners, not the workers. GM, Ford, etcetera employed millions back in the day. The new drivers of the stock market (Meta, Google, etc) employ a small fraction. 

Corporate Mouthpiece?

The Google Mouthpiece claimed AI cannot think, it can only thunk, which while cute was directly contradicted by the Godfather of AI, who's left Google and can now say whatever the heck he likes. He's run tests with large language models and says they show reasoning abilities. Generative AI is a lot more than just advanced autocomplete. 

I'm more inclined to believe him than the happy happy corporate shill. Funny enough, it was the journalists earlier who were noting that Generative AI doesn't do well with nuance. Neither do some agendas. 

Hinton expressed concern about autonomous AI battlebots, wealth polarization, mass disinformation and other points of concern that I really should have written down because now I can't remember. Old age sucks, man.

99% of researchers are working on making AI better, and only 1% is working on making it safe and ethical. 

I don't doubt that avaricious, insatiable, manipulative and machiavellian AI being built for the stock markets and don't have the faintest clue what an ethic is, or if you can buy it. 

Hinton's talk only lasted 20 minutes or so, which is a selling point for the event; the talks are short enough there's no time to get bored. Here though, it was much too short. Honestly, I could have listened to Hinton all day. 

A lot of money was poured into the super slick Collision glitz fest, and I'm sure many a useful connection was made; hopefully productive deals, too, especially for all the startups and smaller companies. One can hope.

For me, though, the talks were disappointing, especially the corporate ones. I wanted more candor, less pablum. The most interesting talks were by gadflies who'd quit their prestigious positions to warn the world about AI, and the nuanced take of the journalists, who will one day be writing about 'our new robot overlords.'

And I for one just hope to be a part of it.


Wednesday, 28 June 2023

It Blew Up Good, REAL GOOD: Nordstream

Did the US, with help from Norway, blow up the Nordstream pipeline? Seymour Hersh seems to think so, thanks to one anonymous source. 

This has received a lot of coverage in Europe, but less so here in Canada or the USA. 

From the article:

"If Russia invades – that means tanks or troops crossing the border of Ukraine – there will be no longer a Nord Stream 2," Biden said during joint a press conference with German Chancellor Olaf Scholz. "We will bring an end to it... I promise you, we'll be able to do it."

Hersh has vehemently defended his reporting:

"I've been doing stories for fifty years and I worked at The New York Times for seven or eight years. I won an awful lot of prizes there for a lot of stories. And I doubt if maybe 5% of my stories had a source named. Most of them were without sources because you can't do this kind of reporting without it."

It makes a certain kind of sense: it hits Russia in the pocket book and peels Germany away from its Russian fossil fuel addiction. 

On the other hand, it economically damages Germany, a US ally, and I can't see the Germans being happy about that. It's uncharacteristically reckless for Biden to pull such a stunt; he's been consistently cautious about escalating tensions with Russia.

But who knows? Power politics is a damn dirty business.

Things like this make me side eye the media narrative, and consider Mearsheimer's assertion that the USA orchestrated a coup in Ukraine in 2014. I don't doubt the US helped give advice to dissidents, and even funds to liberal political movements, but a full fledged coup? It's a serious claim that requires serious evidence.

The CIA has pulled stuff like this before. 

Then again, it may have been these guys:


As with pursuing the Arc of the Covenant, poking the Russian Bear in its den is not something to be undertaken lightly... 


Monday, 26 June 2023

Hot and tasty: Prigozhin's Cup-a-Not-a-Coup

Prigozhin's up-a-coup soup package with T-72 sticking out of cup
Prigozhin's Chicken Noodle flavoured Instant Cup-A-Coup!

Is Putin done?

I doubt it. 

Then again, I was not expecting Putin's caterer to occupy Rostov and send an army of convicted murderers and rapists on a "March for Justice" to Moscow. 

Putin fled in his private jet as a few Russian army units joined in the march. Prigozhin took control of a TV station to broadcast that the war was being fought under false pretenses (deja vu, America!) and that Ukraine had actually never persecuted Russians and wasn't run by Jewish Nazis. 

I couldn't make this stuff up, it's so bonkers.

And then, after shooting down some Russian attack helicopters, the caterer suddenly dropped everything and set off for exile in Minsk, thanks to a deal worked out by Lame-duck-Lukashenko of Belarus. 

As OMC and Navalny might say, how bizarre!

'Priggy' has always been a loose cannon, but to bite the hand that fed him so directly was a major surprise. 

Why'd he do it?

Serious miscalculation.

Last week, Putin made clear he was going to roll Wagner into the MoD org. This would strip Prigozhin of all his power, and possibly expose him to existential danger at the hands of Shoigu, who hates his guts. So Priggy Prigozhin preempted them all, caught the FSB flat footed, and the road to Moscow open. Wagner troops willingly followed their hard nosed boss: they weren't keen on being integrated with the regular Russian army, which (naturally) has worse food (Prigozhin was a former chef and caterer, after all). 

Everyone else rallied around President Putin, and Prigozhin's 'March for Justice' stunt was denounced as full fledged treason. That seems to be when when Warlord Prigozhin started to look for an off ramp. Too little, too late.

So now what? The private army is going to be split up among regular Russian army units so they can never again act against Warlord-President Putin.

That removes the biggest threat to his regime. At least that I am aware of. Shoigu and Gerasimov may be disliked by the rank and file, but they are Putin loyalists. No threat there.

Putin does come out of this bizarre affair with egg on his face. His reputation as a machiavellian plotter who is always ahead of his opponents is tarnished, and it will take time for him to reestablish his cold blooded utter ruthlessness cred. 

I think he'll succeed in doing so, and I wouldn't want to be in Prigozhin's shoes right now. I'd hire someone taste test his afternoon tea, if you know what I mean. Stay away from Russian windows.

Overall, I think we all got off easy. 

Priggy would be the worse option to have in control of Russia's nuclear arsenal. Both of these warlords are dangerous men, but Priggy's more volatile and unpredictable. 

I'd rather see a stable, democratic liberal regime in Moscow, but that's not gonna happen. Russia is still an empire, which means that if the security forces let up, several regions will try and secede. 

Stay tuned for the next episode of Russian Political Roulette...



Sunday, 25 June 2023

Moh Life Drawin'

Some life drawing from earlier this spring, using pencil brushes in ProCreate. Theme was pirates.

Tuesday, 4 April 2023

Generative AI frenzy: Adobe Firefly vs. Midjourney

A firefly spaceship rendering
A spaceship on the moon... looks more like Mars, but whatever. The details on the ship are dodgy, but the overall impression is quite good. With a bit of editing, it's usable. From Firefly.

Companies are going bananas over generative AI. It's being hailed as a tectonic shift, an existential crisis, a matter of 'embrace or die'. 

Is it really all that?

No. 

Is it useless and laughably bad? 

Also no. 

A firefly psychadelic landscape
Wasn't super keen on these Firefly results; the hands are as messed up as earlier versions of Midjourney

It can be useful, it's already being embedded in services we use every day, yet it also has serious limitations (it's not 'thinking', it's just probability predicting based on a huge pool of nevertheless limited data). 

One big issue with Midjourney and Stable Diffusion are the ethical (and legal) issues, which stand in the way of wider commercial adoption. The top reasons for companies to adopt new software, after all, are efficiency and price. If it's cheaper, easier and faster, it'll be looked into. But only if it doesn't bring on all sorts of complicated legal headaches. No one wants to deal with the Legal Team. Sorry, guys.

a frog having tea rendered in firefly
The frog was meant to be serving the tea, but this is close enough. Looks pretty good!

Adobe's Firefly is designed to be used commercially from the get go: it's trained only on public domain art and Adobestock, which they have rights to. 

So how does Firefly stack up against the perfidious scrape happy Midjourney? 

Good question. 

I spent 4 months fiddling with Midjourney (before cancelling my subscription), and recently I got in on the Beta for Firefly. 

A psychadelic Firefly desert; I quite like this one.

My expectation for Firefly were (probably unreasonably) high: Adobe is the international standard for professional graphics software, and according to their press release, they're planning on incorporating Generative AI into virtually all their other products.

The interface is clean and simple It has a text input field, plus categories to help spark ideas, paired with little icons. I'm not keen on on them: they feel more limiting than helpful, and the icons are too small to get anything out of them:

The image output is... varied. Some is quite good, but much is still dodgy around the edges. The biggest issue right now is subjective: I am not finding the Firefly output as compelling as Midjourney's. 

That's one interesting US flag on the upper right

The quality difference is, perhaps, telling: many Firefly renders often look like stock art, because the tool was trained on, well, stock art. Midjourney renders have more pizazz. They are often better composed, with more impressive colour schemes and just feel... a lot more fun. 

And that fun factor is very likely derived from the living artists and the millions of copyright artwork that Midjourney (and Stable Diffusion) were trained on. 

Generative AI is only as good as the stuff you feed it. Stock in, stock out.

Maybe I'm imagining it. You decide.

I don't mean to sell Firefly short. Some images are production ready or very close to it. My views are somewhat jaded thanks to thousands of Midjourney images.



Men typing on a laptop in a firefly rendering
Stock, just slightly messed up deformed stock (first one); the others I wouldn't be able to tell without close examination, and even if then, maybe not

Overall I like these, but if you look closely the details (as is typical of AI output) don't hold up.

So while Midjourney is (to me) leagues ahead of Firefly, and Firefly will likely never be able to catch up, perhaps Adobe doesn't intend for that to ever happen anyway. Adobe's goal may just be to provide a cheap customizable stock art alternative for people to use and modify. It will undercut Getty Images and the other stock houses (if Firefly is set at a competitive price point). 

A farm in Ukraine under a magnificent sky
A farm in Ukraine... turned out amazing. Still a bit of a stock feel to it, but I couldn't tell it was AI. How much of an original stock image does it pull in? Are some essentially verbatim?

If you look at dozens of Midjourney images, you notice a smooth slickness, a plastic feel, to them after awhile. Prompt wizardry can minimize or negate this, with lens types and whatnot. Haven't noticed that with Firefly, at least not yet.

Lower value jobs will go to Generative AI, much the same way stock dominates when budget doesn't allow for original art, and they can't find overeager students to exploit. But those jobs are already largely gone anyway.

Lowest common denominator content, generic stuff companies need but don't really care about, could be generated by AI and then curated by humans. 

If the lawsuits go against artists, AI will be more of a threat to job security.

Firefly monkey chess piece
A monkey chess piece rendered in Firefly; pretty solid!

Firefly side navigation
The side nav, with the various categories and options in Firefly



Tuesday, 28 March 2023

Lenovo's Queen Latifa AI ad

Queen Latifa lenovo AI ad
Actual Latifa

This is pretty wild: personalized AI ads featuring Queen Latifa talking up small businesses across North America. 

She does look a little stiff in the AI generated section, with only the head moving, but otherwise it's very impressive, and this will only get better. 

Queen Latifa AI talking about small businesses
That's not Latifa talking; it's AI leveraging her image and voice

I'm amazed how good her speech is. Sounds absolutely seamless to me, no jarring breaks between words, smoothly flowing, doesn't sound artificial at all.

Wednesday, 22 March 2023

Midjourney V5: hands up!

"They can do hands now!"

Ladies and gentlemen, Midjourney can now do hands.

Renderings of Midjourney hands showing four fingers and thumb
They look... pretty good, actually. 

That didn't take long. Check out this article for more. 

Horrifically deformed hands were a hallmark of earlier Midjourney iterations, and (seemingly) major technical barrier blocking it from full fledged commercial use. I mean, aside from the rights and ethics issues. 

From a visual perspective, Midjourney's looking more impressive than ever. The artifacts and weird glitches are far fewer, the 'plastic' feel absent. Some pieces purporting to be done in Midjourney look to me like well rendered classical oil paintings. I still find it hard to believe some images are AI renderings and not originals. 

Some artists sniff that the AI art 'has no soul'. And yet, Midjourney is trained on art by MILLIONS of human souls, so I imagine some of that has filtered through, however gestalt soul mush it may be. 

I know of professional artists, ones far more talented than I (who are also anti-AI art), who have been fooled by these computer created concoctions. 

This is astonishing progress in a mere 8 months, and this is a technology still in its infancy. I keep wondering where it will be in ten years.. 

With Adobe launching their own AI renderer, Firefly, AI rendering is here to stay. 

We're about to see a whole lot more of it. 



 


On outgrowing franchises (Star Wars, natch)

"Is it enough that they can fly now?"

The very nature of television franchises is repetition: give them the same thing, only slightly different. Like eating the same bowl of porridge, just with different lighting. Characters do not evolve: they stay the same through the entire series. Their nature, interrelationships and circumstances shape the franchise stories, which always follow a similar pattern (or you're not getting greenlit), and everything resets at the end of every episode. 

This way, the series can be watched out of order in syndication. If the characters evolved and changed, you'd need new sets, new locations, new characters, and it would no longer be The Show anymore. Friction/conflict generates stories, and that comes from the dynamics of the cast. Someone is always the foil, for example. 

Real changes in franchises only occur when actors ask for too much money, or ratings dip and the show runners get desperate and add a cute fluffy dog to the cast. Or Ted McGinley, the Patron Saint of Shark-jumping, if you want to kill the show off quick. 

Eventually, after a couple decades of this endlessly churning story watermill, you get bored. People stop watching. Ratings dip. Cancelation strikes and the program is shipped off to the archives, or that Christian station that still airs Happy Days.

Times change, too, and what young viewers want to see now isn't what I wanted to see thirty years ago. I'd say kids are more media savvy (and saturated) than I was as a kid. I only had 3 channels plus PBS. Kids today have cable, multiple streaming services, movies, internet, YouTube, Tik Tok, Instagram, Facebook (or is that just for old fogies now?), cell phones, and stuff I'm not hip enough to keep up with. 

Franchises need to grow and adapt to stay fresh; sadly, such change also risks alienating earlier generations of viewers. 

Star Wars is a toy line with a film franchise that's migrated to television, where Mando remains Mando and Grogu is eternally an insufferably cute marketing placement. I mean baby. Even the films just cycle through the same stuff, blowing up the Death Star over and over and over again, or recycling the stories of entire earlier films, just juggling the order of events. Empire or First Order, Rebellion or Resistance, nothing really changes. 

Fortunately, by the time you're on the brink of death from boredom, there's a new generation waiting in the wings to replace you; after that, marketers don't give a crap what you watch. Just toddle off and die under a tree somewhere, old timer.

Franchises like Doctor Who, Star Trek and Star Wars I don't enjoy much anymore. It all blends together now, like some kind of gigantic genre pastiche golem. 

Took long enough! 

I tapped out of Who with the later Matt Smith era (too convoluted, characters all sound the same, and when everyone is snappy and glib, no one is), Star Trek changed too much (got dark and more like Star Wars), and Star Wars pumped out a deluge of poorly thought out content.

It's long past time I was done with Star Wars, in particular.

It is explicitly made for children. I'd say the first two films (Star Wars and Empire Strikes Back) are all ages films, but Return of the Jedi (and the Ewok merchandising placement) aimed at a much younger target audience, and the Prequels even more so. 

George Lucas has repeatedly and loudly affirmed that the films are for kids.

Maybe we should listen to the guy.

For example, in Kenobi where they escape from an Imperial base with Little Leia Lulu hidden under Obi Wan's trench coat, he looks like a character from the cartoon Bojack Horseman. I kid you not. I don't think this is political commentary on the Empire (which was an impressive logic pretzel someone tried to construct, and kudos for the effort), but if it is, it's preposterously hammy. My bet is that the writers thought little kids would find it funny, and they very well may. No doubt it's been tested with focus groups. It's Disney after all.

Yet when I was a kid, I hated shows that talked down to me. 

Some kids (and some adults!) will love Kenobi, but it just rubbed me the wrong way.

The characters in Kenobi have no more dimension than the cardboard cutouts populating The Abominable Book of Boba Fett

I am greatly enjoying shows like Severance, Better Call Saul, The Expanse, The Boys, Barry, Dark, Mindhunter, The Witcher, To the Lake, Bojack Horseman, Devs, Brooklyn Nine-nine, White Lotus, and Tales from the Loop. Many of these are bleak, but I find them much more compelling than Star Wars.

The whole franchise has been pulled along for almost 50 years based on the strength of the first two cinematic outings. Personally, I think they should have aimed at all ages rather than titling so far towards kids, but that's just me. 

I understand Taika Waititi is making the next Star Wars flick. If any director can get me to throw money away on this franchise, it's Taika or James Gunn. Both are smart, funny and have a strong creative voice. 

Jojo Rabbit showed Taika's got things to say; he comes across as someone with artistic integrity (and maybe also a creative madman; I cannot imagine trying to pitch the concept of that film and getting a green light). My fear is that Taika's sense of humour would make him a much, much better fit with Flash Gordon than Star Wars. 

The tone of Flash Gordon is almost identical to Ragnarok. They're a perfect match: both are fun, irreverent, wahoo space adventures. Pure fun.

The original directors of Solo were fired for deviating too much from the Star Wars tone (presumably making the film too funny), and I suspect Taika would make a wickedly funny film that is totally unacceptable to Disney stakeholders.

Change, just not too much change.

Could be wrong. I thoroughly enjoyed Thor: Ragnarok, and expect to like Love and Thunder (EDIT: I hate Love and Thunder). 

I was going to post this last July, but Andor really surprised me, so I shelved it for awhile. Andor's definitely for adults, and won't appeal to most kids. Hell, a lot of adult fans found it boring, but I loved it. That said, the whole franchise can't move in this direction: there's not enough of an audience for it, and you can't afford to alienate kids. 

But it was nice to see the franchise stretch.


Tuesday, 21 March 2023

Adobe's new AI renderer: Firefly

Hummingbird on a colour background by Adobe Firefly

Step aside, Midjourney, Adobe's entering the AI renderer ring with Firefly.

The biggest thing about it? Firefly's built for commercial use. It was only trained on public domain, openly licensed images... plus Adobestock (which has hundreds of millions of professional grade images). 

Adobestock contributors will, apparently, be compensated; they're working on it.

So they say.

Adobe's going to integrate Firefly into Adobe Creative Suite all over the place. It'll be inescapable. Right  there on your interface, a click of a button away. On the most used design and illustration software in existence.

AI Renderering is going mainstream commercial, baby. 

Firefly is designed from the ground up for just that. Text, vector, raster... holy crap they are ambitious little heinzelmännchen, aren't they?

I've been wary of the AI renderers for a little while, both in regards to copyright, and the unethical sourcing of imagery, which Adobe's... solved? That and embedding it into products designers use every day is going to make it awfully tempting. 

llama rendered by adobe firefly

From their site:

  • First Adobe Firefly model will empower customers of all experience levels to generate high quality images and stunning text effects
  • Adobe launches beta of first Firefly model focused on commercial use
  • Adobe Firefly will be integrated directly into Creative Cloud, Document Cloud, Experience Cloud and Adobe Express workflows
  • Adobe will introduce “Do Not Train” tag for creators who do not want their content used in model training; tag will remain associated with content wherever it is used, published or stored
  • Adobe is planning to enable customers to extend Firefly training with their own creative collateral, generating content in their own style or brand language

Holy crap. 

Things are changing. 

Monday, 6 March 2023

Artist Karine Giboulo does Covid-19 lockdown

clay figure sitting in bird cage
Some days I feel just like this...

Saw the Karine Giboulo: Housewarming show at the Gardiner Museum in Toronto, tucked in across the street from the far better known ROM. The show's about the Covid-19 lockdowns, and it's a wonderfully fun, whimsical and idiosyncratic take:

"Enter a world at once familiar and uncanny. Montreal-based artist Karine Giboulo invites visitors into an immersive reimagining of her home. Brought to life by over 500 miniature polymer clay figures this is no ordinary house. The figures tell stories that unfold inside or on household furniture appliances and everyday objects.

Clay figures at a shag carpet like a beach
Just the place to wear Kramer's fragrance: The Beach

On the kitchen countertop a line of people masked and socially distanced await access to a food bank. In the bedroom the drawer of a dresser opens to reveal rows of masked factory workers hunched over industrial sewing machines. In the laundry room a forgotten iron causes a forest fire forcing animals to flee their natural habitat."

It's a faux house filled with little figurines. Certainly a productive way to cope with Covid's disruption of all our lives. 

Rather than being a downer, it made me laugh. 

Clay astronauts take selfies beside Bezos big dick rocket
Posing before the Jeff Bezos Dick rocket

Biochem clay figures disinfecting fruit in a fridge
Hi ho, hi ho, a disinfecting we will go. 

clay figure falling into a computer screen abyss
This happened to me too.

clay figures disinfecting fruit on a kitchen table
Biohazard team to kitchen table one

kitchen sink garden clay figures
It's even got the kitchen sink

rows of bottled old people in jars on shelves
A comment on all the horrors going on in the long term care facilities





Sunday, 5 March 2023

Alexander Stubb vs. John Mearsheimer on the war in Ukraine

Former Finnish Prime Minister Alexander Stubb recently talked about John Mearsheimer's theory that the war was provoked by the US and NATO expansion. He presents five arguments:


Saturday, 25 February 2023

Seductive Midjourney V4 Easy Bake Imagery

Midjourney is seductively easy. 

Write a prompt. Wait a minute and voila: result. Boom. Done. 

I stopped using Midjourney over the ethical issues, but it was damn fun. Midjourney creates a powerful and beguiling illusion of accomplishment, and every time I walked away I'd have another idea that'd draw me back in. 

There are really wonderful, idiosyncratic and inventive imagery being generated. Human users play the role of art directors and curators. 

The more I look at Midjourney imagery, easier it is to spot it in the social media wild. You have to dig into the history of visual arts and tailor your prompts to carve out a more distinctive, curated look. 

I didn't do much of that. My main interest was in sci-fi imagery, pictures to support stories I've either written or contemplated writing, as opposed to purely aesthetic explorations. 

If I ever go back to Midjourney, I'd like to explore aesthetics, and see if I can create a distinctive 'style' through advanced prompts. But I'd prefer the software to be ethically sourced before I do.

Anyway, these are some of the results I got:

A giant abandoned robot looking over an oasis
A derelict cyclopbot stands sentinel over a desert oasis in Nevada

Two abandoned freighters on a beach
Beached freighter hulks on a salt flat

Babylonian grand canyon tower
NeoBabylonian-Deco style tower over the Grand Canyon

A square pool in the desert
Desert spring pool

A horned troll hosting a market table
Mr. Moogles and his post-apocalyptic junk shop

Werewolf protesting the lack of dog food
Werewolf reacts to the lack of fresh dog food at the Quickimart

Nemo yacht
Captain Nemo's leisure yacht

A wizard sitting crossed legged and dressed in blue
The lonely Blue Wizard Otho Four Star Box

Blue wizard Methuseleh with three head vents
The most accomplished Blue Wizard was Three Cone Methusaleh, who feuded with his brother Otho for centuries


Wednesday, 22 February 2023

Ukraine can’t win unless Russia agrees to lose

Biden meeting Zelensky in Kyiv

A year into the war and Ukraine has not only fought the Russians to a standstill, they've pushed Russia back across the Dnieper River and away from Kharkov (Okay, some say it was a tactical withdrawal to buy time, but my way sounds more dramatic). 

Amazing!

What Ukraine cannot do, however, is march upon Moscow and depose Putin. Even if they push Russian forces out of Ukraine, it won’t spell an end to the Russian threat. Putin can just take a few years to eat borsch and rebuild his armies and try again.  

 

The Russian army invaded with 190,000 troops against a Ukrainian army of 200,000, about a third of what Russia would need to win. Ukraine began full mobilization on day one, meaning that Ukraine may very well have had (at some point) more troops in the field than Russia did. 

 

Russia has taken horrific casualties (over 200,000) thanks to crude tactics. The invasion strategy was basically to pound a square peg into a round hole, and it didn't go well. Hundreds of Russian vehicles have been captured by the Ukrainians. Reliance on cell phones has helped Ukrainians eliminate Russian field commanders, while Russian logistics are so bad their Kyiv pincer ran out of gas, then food, and had to retreat, raiding convenience stores as they went. In their wake they left rape rooms, torture chambers and mass graves of the not-so-happily ‘liberated’. 

 

For all the labelling of the Ukrainians as Nazis, the Wagner mercenary group’s recruitment of convicted rapists and murderers is an echo of Oskar Dirlewanger’s charming SS brigade, a collection of thugs and criminals in WWII so odious even the SS distanced themselves from the unit. Which is surreal, as the whole purpose of the SS was industrialized mass murder. Maybe the Wangers were too ill mannered in their mass murderer. Convicts are notoriously ill disciplined and prone to committing atrocities, but it seems the regular Russian army is going to give The Wagner Wangers a run for their rubles.

 

Russia has mobilized 300,000 men, with another 500,000 more cannon fodder on the way. (Un)fortunately, these poor bastards (sorry, soldiers) are badly trained (or not trained at all) and poorly equipped. One video purported to show a Russian soldier armed with a pellet gun. At best, they’ll be using 60-year-old weapons and ammo that have been badly maintained (and may blow up in their faces). It’s Apocalypse Now meets a nightmarish and lethal version of Bugs Bunny.

 

Nothing new for Russia: in WWI, they used human wave attacks, and sometimes only 1 in 2 had a rifle; the other was to pick it up after the bearer was killed and carry on. Doesn't exactly instil confidence in the system. Many wars start out badly for Russia, though; then they course correct and plow over mountains of corpses to the win. 

This won’t end until the Russians (Putin specifically) decides to give up. 

 

How likely is that?

About the same as me winning the lottery.

Don't hold your breath: I don't buy lottery tickets.

 

And while Putin ponders, Ukraine is being wrecked. No doubt part of Putin’s plan: he wants a weak Ukraine, a neutered buffer state between Russia and NATO. Destroying Ukrainian infrastructure potentially increases pressure on Zelensky to seek accommodation. Yeah: won't work. The Ukrainians have no interest in ceding territory and NATO is pouring weapons in. Mass famine will hit before Ukraine ever considers surrender. 

 

Negotiation for Zelensky now would be political (and possibly the more existential variety) suicide. Arafat had the same problem. 

 

John Mearsheimer doggedly asserts that the war is being fought to the last Ukrainian, that they are puppets of the West, cynically manipulated into burning their own country to the ground. I am not so sure I buy that, whatever the folly of Bush pushing Ukrainian NATO membership. 

However much the United States relishes the opportunity to thwart Russia (and they do), it's the Ukrainians who are fighting. People who don't want to fight don't fight, no matter how many weapons you give them. The US provided billions in arms to South Vietnam, and they promptly collapsed after US withdrawal. Same with Afghanistan. They didn't want to fight, not on their own.

The Ukrainians, on the other hand, are fighting like demons in the defence of their country. Effectively. Resolutely. There are even partisans fighting in Russian held areas. That does not happen if there is no will to fight. 

After The Holodomor, back room interference and annexing Crimea, many Ukrainians just don’t want to be ruled from Moscow, and I can’t say I blame them. 

True, Western Ukraine is more anti-Russian than the East, which has a large Russian speaking population. Even given that, there doesn't seem a lot of support for the invasion in Eastern Ukraine. There have also been Russian atrocities in Eastern Ukraine, and the Donbas paramilitaries have been used as disposable cannon fodder. Is there not a point where you look at your rescuer, who's willing to throw your life away like it was a piece of toilet paper (and I'm talking post-Covid toilet paper crisis here), and question their benevolence? 

When someone says you are a brother, and then bombs, rapes and murders your fellows, do you believe they have your best interests at heart? 

No, the United States does not have the best interests of Ukraine at heart, either; they are first and foremost pursuing their own, yet these can align with Ukraine. So could Russia's, but since they've been flying hypersonic missiles into apartment buildings and flattening whole cities with artillery fire, I admit I am more dubious of Russia's motives than I am of the Americans. 

 

Russia is in stage five of demographic transition, they will eventually run out of soldiers, unless they want to roll in geriatrics. That bodes trouble for the Russian Empire down the line, as many ethnic groups in Russia have more robust demography and aren't keen on being ruled from Moscow. More regions may secede if Russian dominance falters. That'll be fun.

 

All the lives Putin is throwing away in human wave attacks means fewer potential fathers and fewer potential Russian families with fewer potential children. Same goes for Ukraine, which also is in stage five. There may be no one left to inherit their earth, which would be the ultimate tragedy for both sides.

 

Eventually, Putin will die, too. Mearsheimer and other poli-sci experts’ claim this will not change anything: Russia must dominate Ukraine, as an existential issue, and any Russian political leader who follows Putin will also be compelled to attack.

Maybe, maybe not.

 

If Putin is the driving force behind the war, it could end with his death. If the driving force is great power politics (the need for Russia to seize the gaps on either side of the Carpathian Mountains, north to the Pripet Marshes and east to the Black Sea), then Putin's death won’t mean jack. But it would also mean that Russia is likely to try and close the gap to the north of the Pripet Marshes (to the Baltic Sea) by invading Latvia, Lithuania, Estonia and Poland. All NATO countries... so let's hope not.

Putin has not drafted enough troops to overwhelm Ukraine. He'd need a few million men, but he doesn’t have the ability to supply or equip that many. Such a vast mobilization might even provoke civil unrest. So instead, Putin’s drip feeding young Russians into the meat grinder of an unwinnable attrition war. 

On the other hand, Russia has almost four times the population of Ukraine, so in an attritional war, Ukraine will run out of bodies first. Casualty estimates for Ukraine are more difficult to come by: they vary from one third to over 100%. Bakhmut may be the new Verdun: designed to bleed the Ukrainian army dry. As German Commander-in-Chief Falkenhayn famously said, the point of his attack was not to capture Verdun; it was, instead, to 'bleed France white'. Japan resorted to the same strategy at Iwo Jima and Okinawa. It's a workable, if utterly ruthless, path that will consume plenty of Russians, too. 

Perhaps the much talked about summer offensives will tip things in Ukraine's favour. 

With China now threatening to supply Russia with lethal military aid, US-China relations may go from bad to abysmal, and tough sanctions on China would cause even more economic disruption as we head into a recession. 

 

There is another unsavory issue: grain and fertilizer exports to Africa, Brazil and China have been blocked by the war. That will impact marginal farmlands (which require copious amounts of fertilizer to be productive), which will lead to large scale famine(s). 

Peachy.

As Hawkeye Pierce might say, "Just end the war!" He was always light on the details but I get the sentiment. 

Monday, 20 February 2023

Nil, Rebel Angels and possible book looks for The Future

For the Nil short film, I added in gradients and cloud backgrounds to enrich the scenes. I rather like the result; it enhances the style. 

Earlier I'd tried with Rebel Angels to combine photographs of classical art with the flat graphic environments, but the result was not received well. 

Still, be interesting to try again. 

Nil had a very flat, graphic style, with no gradients at all, originally: just flat fields of white, black and grey. Character designs were simple and iconic, the backgrounds ultra-detailed:

Picture of character on a steam engine going past a vast graveyard
A page from the original Nil graphic novel; I loved playing with the layouts and merging illustration and design. That was a happy place for me, and I'd like to go back there. The subsequent books were all less 'designy' or abstract, and more attempts to describe environments.

A vast cityscape with Proun Nul in foreground
Elements from the book, cityscapes and impossible buildings, covered with blends to knock them back and emphasize the character in the foreground. The haze also softens the scene. 

A squad of Nihilean soldiers in a field being reviewed by their officer
Soft background clouds give the scene greater depth and a stronger sense of desolation and vastness.

When I got to Rebel Angels, I'd been doing graphic novels for awhile, and had Nil, Rex Libris, and Warlord of Io under my belt. Rebel Angels was actually an outgrowth of Nil, but during development became completely disconnected from the source material. 

I had a young female punk rocker who was wrongly condemned to Hell teaming up with Muk to overthrow Satan, but at the time I really didn't want to draw humans. Just monsters and demons, so I cut her character. Maybe not the best of choices. 

But you can only do what you can do.

The characters in Rebel Angels became more animated, a little more in line with cartoons: a clean outline and flat blocks of tone over more complex backgrounds. It was more sophisticated in some ways, yet less experimental than Nil.

I'm happy with the visual result. The story itself got away from me and I burned out finishing the book. It would be almost ten years before I attempted another graphic novel. 

Beware of burnout, man, and pace yourself. When it hits you, it really, REALLY hits you.

Hell Lost / Rebel Angels is still up on my website and can be viewed here.

A demon flying above the river Styx lined with buildings
A ridiculously detailed version of the cover for the online version of Rebel Angels.

Characters climbing on skulls past statues
Skulls used as texture over the graphic elements.

A dragon chasing a ball
Again with the clouds; they really assist in creating a sense of space.

Classical art adapted to flat graphics
Polarized photos of classical art I took in, I think, Paris. The figures were embellished with nosed and horns and swords. I thought they added an interesting, almost Boschean aspect; nobody seemed to like them though so I abandoned the approach. Sometimes feedback's a bitch.