Thursday, 11 July 2013

Hell 101: Modern Interpretations of The Infernal Realm

Hell pops up all over the place, from Constantine to Buffy to Spawn, in modern culture. Films, TV, games, comics, music: Hell's everywhere. It's a damn popular stop for storytellers, and with good reason.

It's got fire, sin, punishment, horrific monsters, and interesting people in distress.

Hell's inherently dramatic.

Visually, Hell has become a collection of well loved tropes. I stayed away from modern interpretations while working on the book to avoid contemporary influences, but now that it's wrapped up...

World of Warcraft imagery set in Hell (or what seems to be a terrestrial equivalent) is so ubiquitous and widely referenced it's hard to tell what's original and what's fan art. Some is that good.

What Dreams May Come channeled the sensibility of Maxfield Parrish. It's breathtaking visually, but the story unfortunately couldn't keep up with the surface bling.

South Park has a hapless Satan living in sin with Saddam Hussein. It's a painfully dysfunctional relationship, and before long you begin to feel sorry for poor old Satan. He's just looking for real intimacy! C'mon! Ditch Saddam already.

The video game Doom transferred Hell to outer space and pitted pixelated demons against space marines. Kind of like an interactive version of Event Horizon, but with big f'in' guns.

And then there's God's Demon by Douglas Wayne Barlowe, the renowned painter. Heck, he's one of the greatest fantasy artists ever. He's not only created a series of paintings set in Hell, but written a novel about a demon who rebels and seeks the forgiveness of God.

Kinda along the lines of what I am doing.

Damn.

His is a very dark take on the matter, with wild creature designs that'd look at home on the silver screen, facing off against Viggo Mortensen and beating up Keanu Reeves. Surprised it isn't higher profile.

It could sit in a museum along with John Martin's paintings.

No good idea hasn't been done, as they say.
Hey, at least it was a good idea.

My upcoming graphic novel, Rebel Angels is a tongue in cheek satire, however, while Barlowe's book sounds dead serious. The first seventy pages can be downloaded for FREE from Comixology here.
 

Both are based on Milton's Paradise Lost, although I squeeze in Dante's Inferno for good measure. There's a kitchen sink in there too.

Even more recently, Seymour Chwast has adapted Dante's Inferno into graphic novel format, and it's awesome.

So there's lots of demon comix to choose from.

Rebel Angels, the graphic novel (long comic book), will be available at fine local comic book shops next spring from SLG Publishing. Pick up a copy, give it a read, and find out if Hell really is other people.

Drinker


Monday, 8 July 2013

Life Drawing II

Somedays you draw better than others.

2013 Toronto Outdoor Art Exhibition

I did a quick run through of the visual feast that is the TOAE (Toronto Outdoor Art Exhibition) at Nathan Phillips Square on Saturday. Roughly 300 artists participate every year. High profile notables like David Blackwood, Ken Danby, and Joanne Todd all did, back in the day.

The usuals (Rotter, George A. Walker, Debra Tate-Sears, etc) were there, with more good stuff.

The same but different.

If you didn't make it out, here are some highlights (I go so you don't have to!):

Oleg Lipchenko

Picked up his book Freudoscope, which plops our favourite cigar obsessed psychiatrist into famous paintings, including The Garden of Earthly Delights. Wonderfully rendered, playful illustrations with a mischievous edge. He's best known for his award winning Alice's Adventures in Wonderland illustrations, published by Tundra Books.

Julie Roch-Cuerrier

Bizarre collages that merge animals with fashion illustration. Quite striking visually and full of fun. More of her work can be found at Art Is More.

Scott Bergey

Reminiscent of Paul Klee (One of my art heroes), his warped, boisterous abstracts are wildly free and creative. You'd never know he has no formal art training; his work is better than many who do. On top of that, he's an airline pilot.

John Shea

Specializes in tightly rendered watercolour paintings of houses that use the surrounding snow to add a bold, abstract quality. Schweet!
 

Elly Smallwood

On the far side of tightly rendered is Elly Smallwoods. Her tightly framed portraits are executed with wild, mad brushstrokes that stop you in your tracks.

Sab Meynert

Delicate yet bold, Sab's work struck me as highly idiosyncratic and definitely worth a look.

Leyre Arroyo

A Spaniard, her work seems to mesh Picasso with children's illustration. I think I liked her collage the most, but all of it was distinctive.

Alice Vander Vennen

This sort of work usually isn't my cup of tea, but Vander Vennen's is so good it won me over. Reminds me of Native North American art, but set on clean, antiseptic white. 
 

John Ovcacik

Flat and graphic yet tightly rendered in minute detail, it reminds me of Alex Coleville and Christopher Pratt. Only more abstract. As sharply composed as they are rendered.

Friday, 5 July 2013

EXCLUSIVE: My Breasts Came From Mars!

Welcome to the biggest hit of 2013: My Breasts Came From Mars!

High concept all the way, baby: a young woman goes in for a breast implant, but gets more than she ever bargained for!

It's got explosions, boobs, fast cars, catch phrases, sex, more boobs, gun fights, fist fights, cat fights, alien invasions, and a heart rending love story that will leave you sobbing. What more could you want?

Take a gander at the cover and order your copy today! Order ten!
Top that Michael Bay!
Check out our exclusive one-page preview if you aren't convinced, dear readers, because you will be:

Thursday, 4 July 2013

You know inflation is bad when...

...your eyes tell you so.

Evil Overlord Brain Gyro

Super brainy villains really could do with more neck support for their sweet number crunching noggin'. But what if you switched things up, and instead of adding reinforced neck support, you support the skull directly?

That's the idea behind the Brain Gyro. The flexible support band is fully adjustable, and padded with memory foam for an ultra comfortable fit.
The Brain Gyro in operation. Death Claws Accessory not included in basic package.
Get on the cutting edge of Supernerd technology. Until DC and Marvel copyright the term 'Supernerd' and it's just 'cutting edge technology'. And then only until they copyright cutting, edge, and technology. Whereupon it will be known as Prince.

You saw it here first.

The only thing to add now is a gyrostabilized cup holder.

Take that NASA!

Wednesday, 3 July 2013

Warlord of Io: Flee!

Maximilian Zing and Moxy Comet flee from minions of the Warlord in the graphic novel, Warlord of Io. Very exciting. You should give it a buy.
 

Tribute to Supreme Commander Dan Vado at ol' SLG

Comic strip made for SLG Publishing President and CEO Dan Vado.

The Kid Within

Never lose sight of.

Tuesday, 2 July 2013

Life Drawing

Don't get to do life drawing much these days. but it never hurts to do a little refresh.








Friday, 28 June 2013

MAX ZING available now on Amazon

What if Ming the Merciless had Charlie Brown for a son?

What if Dilbert ruled a space moon?

Why,  it’d be just like Max Zing!

The greatest tyrant of the galaxy has retired and left the Ion Space Empire in the hands of his son,  Maximilian Zing the Not-So-Dread. Only Zing isn't interested in ruling: he'd rather read comic books and play video games.

Can the mighty,  all conquering Ion Empire possibly survive?

Or will Earth hero Jon Jett conquer the great warrior moon and bring peace to the solar system? Buy this book and find out the future before it even happens.

Now available from SLG Publishing on Amazon for your purchasing pleasure. Take a gander. Support your (virtually) local digital artist: give it a buy, five stars, glowing endorsements, and enjoy!


PS. I understand that buying things makes people happy.

Thursday, 27 June 2013

The Beat on SLG at Comic-Con '13

The Beat has a brief article up about SLG's presence at the upcoming Comic-Con '13.

Dan Vado will be bringing along an impressive collection of artists, including Jhonen Vasquez, Landry Walker, Chris Wisnia, and Chris Reilly!

Not to be missed.

They even mention my new comic: Rebel Angels!

Schweet!

The walk away from explosions: Blunderbuss Cinema

Lynda Obst writes that with the collapse of DVD sales, profit margins on Hollywood movies have fallen 50 percent.

According to producer Peter Chernin, the trouble started in 2008. Why do I keep hearing that year being associated with collapse? So odd. Anyway, the studios 'are paralyzed', their golden age of profits receding into the mists of champagne soaked memory.

3D surcharges are not enough.

The domestic market is not enough.

The studios have to look further afield.

Globalization, baby!

Enter Blunderbuss Cinema.

Mix explosions, bulging biceps, heaving bosoms, sex, cardboard characters, quick edits, chase scenes, gunfire, a pounding soundtrack, simple catchphrases, and lots of noise together, shake, and then blast it at the audience. Stun them into submission with sheer spectacle, overwhelm them with sound and fury that ultimately signifies nothing but box office returns. They'll be too shocked to care about meaning, or even notice its missing. They'll be more worried about their hearing loss.

That's what's coming down the pike. Rather than starting slow and building up, the new paradigm will start with a bang and keep on banging, rushing at break neck speed to a spectacularly senseless, dazzling finish. Yada yada yada, catchphrase, explosions, coolness, The End!

Plots will have massive holes in them (See Man of Steel and Star Trek: Into Whatever) and exist only to link together massive, mind-blowing set pieces.

The great thing about explosions is that they don't require translation. And the ultimate in cool is the slow, indifferent saunter away from the blast. See for yourself:

Never let them see you sweat.

Huge, lumbering 200-million dollar blockbuster monsters need a world wide audience to feed them. Nothing less will do. They'd starve, and no one wants poor Godzilla (such a cutie!) to go hungry. So dialogue will diminish while explosions and chase scenes multiply like rabbits.

Transformers I, II, and III are perfect examples of Blunderbuss Cinema. These films assault eye balls like they were the beaches of Normandy on D-Day. There's no finesse here, no SEAL team, no elite 007 agent, just brute spectacle and primal emotion run amok, completely untied from reason and logic, with cuts so quick you can't tell what the hell is going onIt's verging on abstract. Think Jackson Pollock painting with a flamethrower. FUWHOOOOSH!

Man of Steel, Oz: the Great and Powerful, Battleship, Pirates of the Caribbean, Mission Impossible, Green Lantern, Cowboys and Aliens, Wrath of the Titans, Total Recall, G.I. Joe, Fast and Furious, Terminator Salvation, Underworld, The Expendables, Hellboy II, Resident Evil, Prince of Persia, The A-Team, Suckerpunch, Battle: Los Angeles, and Star Trek: Into Alternate History? Blunderbuss.  

Avatar has many elements of Blunderbuss but is elevated by Cameron's superb command of craft. Still: unobtainium? Yeesh. Proof even a genius can slip. On the other hand, Avatar and Titanic are the two highest grossing movies of all time, and that which succeeds you'll see more of. Tranformers III sits at number 6. God help us. The bottom line is that Hollywood is a business, and what we patron is what they make. The Avengers witty punching-fest is third. At least there's hope.

Iron Man III
, oddly enough, rises above Blunderbuss thanks to the wit of Robert Downey Jr, the coolest special effect in the movie. He is the franchise. Well. Plus explosions.
But will he be necessary in the future? Can he be replaced by a cheaper filter effect?

Has it always been this way? Yes, only now it will be much, much more so.

Personally, I love a good explosion. I've got nothing against beautiful bodies embracing in front of collapsing cities while aliens attack and flames gush out of the earth in the background. My real objection? Glaring plot holes as wide as chasms, terrible dialogue, and twists that make no sense whatsoever. Some logic gaps are going to exist, true, it's the movies, but they don't have to be big enough to fly a planet through.

At least try to plug plot holes so it doesn't look like you have total contempt for the intelligence of the audience. A few fig leaves, at least, to cover that big, lolling narrative obscenity. Don't leave them out in public view for children to see.

Perhaps I'm outgrowing the blockbuster. The movies have left me flat.

As Humphrey Bogart once said, 'We'll always have indie film.' No, really.

For the mainstream, even Steven Spielberg is sounding the alarm, characterizing this as a time of extraordinary upheaval. Half-a-dozen megabudget flops and the industry will be changed 'forever'.

Cue dramatic music.

Thankfully, cable television is stepping into the gap. It's still directed at a domestic market, allowing for more complicated plotting and dialogue.

And the material on offer has never been better.

I can't wait for Game of Thrones to resume.

Can you?





Wednesday, 26 June 2013

Take a Trip Back In Time

Tour Shackleton's Hut in Antarctica. It looks like they could arrive back at any moment, almost a century later. Just amazing. Thank you, Google Maps! You've saved me a trip.

Gardening


Bibliothèque nationale de France

You aren't supposed to take pictures in the library, but I managed to get two before being stopped by a French ninja librarian.

Founded in Charles V in 1368 at the Louvre, it was opened to the public in 1692. Woot!

By 1925 it had 4,050,000 volumes and 11,000 manuscripts.



It's a very impressive space, particularly the Richelieu site, as official photos reveal: