Did the US, with help from Norway, blow up the Nordstream pipeline? Seymour Hersh seems to think so, thanks to one anonymous source.
Cool is just cutting edge conformity. This is a blog about culture, film, television, and story telling. Plus whatever else crosses my semi-functional simian brain. More art can be seen on www.jtillustration.com
Wednesday, 28 June 2023
It Blew Up Good, REAL GOOD: Nordstream
Sunday, 25 June 2023
Tuesday, 4 April 2023
Generative AI frenzy: Adobe Firefly vs. Midjourney
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| A spaceship on the moon... looks more like Mars, but whatever. The details on the ship are dodgy, but the overall impression is quite good. With a bit of editing, it's usable. From Firefly. |
Companies are going bananas over generative AI. It's being hailed as a tectonic shift, an existential crisis, a matter of 'embrace or die'.
Is it really all that?
No.
Is it useless and laughably bad?
Also no.
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| Wasn't super keen on these Firefly results; the hands are as messed up as earlier versions of Midjourney |
It can be useful, it's already being embedded in services we use every day, yet it also has serious limitations (it's not 'thinking', it's just probability predicting based on a huge pool of nevertheless limited data).
One big issue with Midjourney and Stable Diffusion are the ethical (and legal) issues, which stand in the way of wider commercial adoption. The top reasons for companies to adopt new software, after all, are efficiency and price. If it's cheaper, easier and faster, it'll be looked into. But only if it doesn't bring on all sorts of complicated legal headaches. No one wants to deal with the Legal Team. Sorry, guys.
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| The frog was meant to be serving the tea, but this is close enough. Looks pretty good! |
Adobe's Firefly is designed to be used commercially from the get go: it's trained only on public domain art and Adobestock, which they have rights to.
So how does Firefly stack up against the perfidious scrape happy Midjourney?
Good question.
I spent 4 months fiddling with Midjourney (before cancelling my subscription), and recently I got in on the Beta for Firefly.
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| A psychadelic Firefly desert; I quite like this one. |
My expectation for Firefly were (probably unreasonably) high: Adobe is the international standard for professional graphics software, and according to their press release, they're planning on incorporating Generative AI into virtually all their other products.
The interface is clean and simple It has a text input field, plus categories to help spark ideas, paired with little icons. I'm not keen on on them: they feel more limiting than helpful, and the icons are too small to get anything out of them:
The image output is... varied. Some is quite good, but much is still dodgy around the edges. The biggest issue right now is subjective: I am not finding the Firefly output as compelling as Midjourney's.
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| That's one interesting US flag on the upper right |
The quality difference is, perhaps, telling: many Firefly renders often look like stock art, because the tool was trained on, well, stock art. Midjourney renders have more pizazz. They are often better composed, with more impressive colour schemes and just feel... a lot more fun.
And that fun factor is very likely derived from the living artists and the millions of copyright artwork that Midjourney (and Stable Diffusion) were trained on.
Generative AI is only as good as the stuff you feed it. Stock in, stock out.
Maybe I'm imagining it. You decide.
I don't mean to sell Firefly short. Some images are production ready or very close to it. My views are somewhat jaded thanks to thousands of Midjourney images.
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| Stock, just slightly messed up deformed stock (first one); the others I wouldn't be able to tell without close examination, and even if then, maybe not |
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| Overall I like these, but if you look closely the details (as is typical of AI output) don't hold up. |
So while Midjourney is (to me) leagues ahead of Firefly, and Firefly will likely never be able to catch up, perhaps Adobe doesn't intend for that to ever happen anyway. Adobe's goal may just be to provide a cheap customizable stock art alternative for people to use and modify. It will undercut Getty Images and the other stock houses (if Firefly is set at a competitive price point).
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| A farm in Ukraine... turned out amazing. Still a bit of a stock feel to it, but I couldn't tell it was AI. How much of an original stock image does it pull in? Are some essentially verbatim? |
If you look at dozens of Midjourney images, you notice a smooth slickness, a plastic feel, to them after awhile. Prompt wizardry can minimize or negate this, with lens types and whatnot. Haven't noticed that with Firefly, at least not yet.
Lower value jobs will go to Generative AI, much the same way stock dominates when budget doesn't allow for original art, and they can't find overeager students to exploit. But those jobs are already largely gone anyway.
Lowest common denominator content, generic stuff companies need but don't really care about, could be generated by AI and then curated by humans.
If the lawsuits go against artists, AI will be more of a threat to job security.
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| A monkey chess piece rendered in Firefly; pretty solid! |
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| The side nav, with the various categories and options in Firefly |
Wednesday, 22 March 2023
Midjourney V5: hands up!
On outgrowing franchises (Star Wars, natch)
This way, the series can be watched out of order in syndication. If the characters evolved and changed, you'd need new sets, new locations, new characters, and it would no longer be The Show anymore. Friction/conflict generates stories, and that comes from the dynamics of the cast. Someone is always the foil, for example.
Real changes in franchises only occur when actors ask for too much money, or ratings dip and the show runners get desperate and add a cute fluffy dog to the cast. Or Ted McGinley, the Patron Saint of Shark-jumping, if you want to kill the show off quick.
Eventually, after a couple decades of this endlessly churning story watermill, you get bored. People stop watching. Ratings dip. Cancelation strikes and the program is shipped off to the archives, or that Christian station that still airs Happy Days.
Times change, too, and what young viewers want to see now isn't what I wanted to see thirty years ago. I'd say kids are more media savvy (and saturated) than I was as a kid. I only had 3 channels plus PBS. Kids today have cable, multiple streaming services, movies, internet, YouTube, Tik Tok, Instagram, Facebook (or is that just for old fogies now?), cell phones, and stuff I'm not hip enough to keep up with.
Franchises need to grow and adapt to stay fresh; sadly, such change also risks alienating earlier generations of viewers.
Star Wars is a toy line with a film franchise that's migrated to television, where Mando remains Mando and Grogu is eternally an insufferably cute marketing placement. I mean baby. Even the films just cycle through the same stuff, blowing up the Death Star over and over and over again, or recycling the stories of entire earlier films, just juggling the order of events. Empire or First Order, Rebellion or Resistance, nothing really changes.
Fortunately, by the time you're on the brink of death from boredom, there's a new generation waiting in the wings to replace you; after that, marketers don't give a crap what you watch. Just toddle off and die under a tree somewhere, old timer.
Franchises like Doctor Who, Star Trek and Star Wars I don't enjoy much anymore. It all blends together now, like some kind of gigantic genre pastiche golem.
Took long enough!
I tapped out of Who with the later Matt Smith era (too convoluted, characters all sound the same, and when everyone is snappy and glib, no one is), Star Trek changed too much (got dark and more like Star Wars), and Star Wars pumped out a deluge of poorly thought out content.
It's long past time I was done with Star Wars, in particular.
It is explicitly made for children. I'd say the first two films (Star Wars and Empire Strikes Back) are all ages films, but Return of the Jedi (and the Ewok merchandising placement) aimed at a much younger target audience, and the Prequels even more so.
George Lucas has repeatedly and loudly affirmed that the films are for kids.
Maybe we should listen to the guy.
For example, in Kenobi where they escape from an Imperial base with Little Leia Lulu hidden under Obi Wan's trench coat, he looks like a character from the cartoon Bojack Horseman. I kid you not. I don't think this is political commentary on the Empire (which was an impressive logic pretzel someone tried to construct, and kudos for the effort), but if it is, it's preposterously hammy. My bet is that the writers thought little kids would find it funny, and they very well may. No doubt it's been tested with focus groups. It's Disney after all.
Yet when I was a kid, I hated shows that talked down to me.
Some kids (and some adults!) will love Kenobi, but it just rubbed me the wrong way.
The characters in Kenobi have no more dimension than the cardboard cutouts populating The Abominable Book of Boba Fett.
I am greatly enjoying shows like Severance, Better Call Saul, The Expanse, The Boys, Barry, Dark, Mindhunter, The Witcher, To the Lake, Bojack Horseman, Devs, Brooklyn Nine-nine, White Lotus, and Tales from the Loop. Many of these are bleak, but I find them much more compelling than Star Wars.
The whole franchise has been pulled along for almost 50 years based on the strength of the first two cinematic outings. Personally, I think they should have aimed at all ages rather than titling so far towards kids, but that's just me.
I understand Taika Waititi is making the next Star Wars flick. If any director can get me to throw money away on this franchise, it's Taika or James Gunn. Both are smart, funny and have a strong creative voice.
Jojo Rabbit showed Taika's got things to say; he comes across as someone with artistic integrity (and maybe also a creative madman; I cannot imagine trying to pitch the concept of that film and getting a green light). My fear is that Taika's sense of humour would make him a much, much better fit with Flash Gordon than Star Wars.
The tone of Flash Gordon is almost identical to Ragnarok. They're a perfect match: both are fun, irreverent, wahoo space adventures. Pure fun.
The original directors of Solo were fired for deviating too much from the Star Wars tone (presumably making the film too funny), and I suspect Taika would make a wickedly funny film that is totally unacceptable to Disney stakeholders.
Change, just not too much change.
Could be wrong. I thoroughly enjoyed Thor: Ragnarok, and expect to like Love and Thunder (EDIT: I hate Love and Thunder).
I was going to post this last July, but Andor really surprised me, so I shelved it for awhile. Andor's definitely for adults, and won't appeal to most kids. Hell, a lot of adult fans found it boring, but I loved it. That said, the whole franchise can't move in this direction: there's not enough of an audience for it, and you can't afford to alienate kids.
But it was nice to see the franchise stretch.
Tuesday, 21 March 2023
Adobe's new AI renderer: Firefly
The biggest thing about it? Firefly's built for commercial use. It was only trained on public domain, openly licensed images... plus Adobestock (which has hundreds of millions of professional grade images).
Adobestock contributors will, apparently, be compensated; they're working on it.
So they say.
Adobe's going to integrate Firefly into Adobe Creative Suite all over the place. It'll be inescapable. Right there on your interface, a click of a button away. On the most used design and illustration software in existence.
AI Renderering is going mainstream commercial, baby.
Firefly is designed from the ground up for just that. Text, vector, raster... holy crap they are ambitious little heinzelmännchen, aren't they?
I've been wary of the AI renderers for a little while, both in regards to copyright, and the unethical sourcing of imagery, which Adobe's... solved? That and embedding it into products designers use every day is going to make it awfully tempting.
From their site:
- First Adobe Firefly model will empower customers of all experience levels to generate high quality images and stunning text effects
- Adobe launches beta of first Firefly model focused on commercial use
- Adobe Firefly will be integrated directly into Creative Cloud, Document Cloud, Experience Cloud and Adobe Express workflows
- Adobe will introduce “Do Not Train” tag for creators who do not want their content used in model training; tag will remain associated with content wherever it is used, published or stored
- Adobe is planning to enable customers to extend Firefly training with their own creative collateral, generating content in their own style or brand language
Holy crap.
Things are changing.
Monday, 6 March 2023
Artist Karine Giboulo does Covid-19 lockdown
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| Some days I feel just like this... |
Saw the Karine Giboulo: Housewarming show at the Gardiner Museum in Toronto, tucked in across the street from the far better known ROM. The show's about the Covid-19 lockdowns, and it's a wonderfully fun, whimsical and idiosyncratic take:
"Enter a world at once familiar and uncanny. Montreal-based artist Karine Giboulo invites visitors into an immersive reimagining of her home. Brought to life by over 500 miniature polymer clay figures this is no ordinary house. The figures tell stories that unfold inside or on household furniture appliances and everyday objects.
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| Just the place to wear Kramer's fragrance: The Beach |
On the kitchen countertop a line of people masked and socially distanced await access to a food bank. In the bedroom the drawer of a dresser opens to reveal rows of masked factory workers hunched over industrial sewing machines. In the laundry room a forgotten iron causes a forest fire forcing animals to flee their natural habitat."
It's a faux house filled with little figurines. Certainly a productive way to cope with Covid's disruption of all our lives.
Rather than being a downer, it made me laugh.
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| Posing before the Jeff Bezos Dick rocket |
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| Hi ho, hi ho, a disinfecting we will go. |
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| This happened to me too. |
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| Biohazard team to kitchen table one |
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| It's even got the kitchen sink |
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| A comment on all the horrors going on in the long term care facilities |
Saturday, 25 February 2023
Seductive Midjourney V4 Easy Bake Imagery
Midjourney is seductively easy.
Write a prompt. Wait a minute and voila: result. Boom. Done.
I stopped using Midjourney over the ethical issues, but it was damn fun. Midjourney creates a powerful and beguiling illusion of accomplishment, and every time I walked away I'd have another idea that'd draw me back in.
There are really wonderful, idiosyncratic and inventive imagery being generated. Human users play the role of art directors and curators.
The more I look at Midjourney imagery, easier it is to spot it in the social media wild. You have to dig into the history of visual arts and tailor your prompts to carve out a more distinctive, curated look.
I didn't do much of that. My main interest was in sci-fi imagery, pictures to support stories I've either written or contemplated writing, as opposed to purely aesthetic explorations.
If I ever go back to Midjourney, I'd like to explore aesthetics, and see if I can create a distinctive 'style' through advanced prompts. But I'd prefer the software to be ethically sourced before I do.
Anyway, these are some of the results I got:
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| A derelict cyclopbot stands sentinel over a desert oasis in Nevada |
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| Beached freighter hulks on a salt flat |
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| NeoBabylonian-Deco style tower over the Grand Canyon |
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| Desert spring pool |
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| Mr. Moogles and his post-apocalyptic junk shop |
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| Werewolf reacts to the lack of fresh dog food at the Quickimart |
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| Captain Nemo's leisure yacht |
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| The lonely Blue Wizard Otho Four Star Box |
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| The most accomplished Blue Wizard was Three Cone Methusaleh, who feuded with his brother Otho for centuries |
Wednesday, 22 February 2023
Ukraine can’t win unless Russia agrees to lose
Amazing!
Monday, 20 February 2023
Nil, Rebel Angels and possible book looks for The Future
For the Nil short film, I added in gradients and cloud backgrounds to enrich the scenes. I rather like the result; it enhances the style.
Earlier I'd tried with Rebel Angels to combine photographs of classical art with the flat graphic environments, but the result was not received well.
Still, be interesting to try again.
Nil had a very flat, graphic style, with no gradients at all, originally: just flat fields of white, black and grey. Character designs were simple and iconic, the backgrounds ultra-detailed:
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| Elements from the book, cityscapes and impossible buildings, covered with blends to knock them back and emphasize the character in the foreground. The haze also softens the scene. |
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| Soft background clouds give the scene greater depth and a stronger sense of desolation and vastness. |
When I got to Rebel Angels, I'd been doing graphic novels for awhile, and had Nil, Rex Libris, and Warlord of Io under my belt. Rebel Angels was actually an outgrowth of Nil, but during development became completely disconnected from the source material.
I had a young female punk rocker who was wrongly condemned to Hell teaming up with Muk to overthrow Satan, but at the time I really didn't want to draw humans. Just monsters and demons, so I cut her character. Maybe not the best of choices.
But you can only do what you can do.
The characters in Rebel Angels became more animated, a little more in line with cartoons: a clean outline and flat blocks of tone over more complex backgrounds. It was more sophisticated in some ways, yet less experimental than Nil.
I'm happy with the visual result. The story itself got away from me and I burned out finishing the book. It would be almost ten years before I attempted another graphic novel.
Beware of burnout, man, and pace yourself. When it hits you, it really, REALLY hits you.
Hell Lost / Rebel Angels is still up on my website and can be viewed here.
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| A ridiculously detailed version of the cover for the online version of Rebel Angels. |
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| Skulls used as texture over the graphic elements. |
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| Again with the clouds; they really assist in creating a sense of space. |
Thursday, 16 February 2023
Max Zing / Warlord of Io screens
I've been digging around in my archives and found fab forgotten things. These images are from a presentation in The Before Time:
Max Zing (it's currently on Drunk Duck) was an outgrowth of the graphic novel Warlord of Io, and put the eponymous character into comic strip format.
It's like poetry: one, two, three-joke! One-two-three-punchline!
I pumped out some 75+ strips before moving on to other things.
I had some fun doing it, and enjoyed playing with a new (and challenging) format.
The earlier graphic novel was also a great visual exploration. The images are made entirely with blends, no lines (well, a few for emphasis at times, but no outlines). Don't think there's anything else out there quite like it, even to this day.
That may not be a good sign.
Heh.
But it was a novel look!
Thursday, 26 January 2023
Worst meeting EVER.
A meeting like this is just what you don't want early in the morning before you've had your cup of coffee. It'd totally derail your day.
Mind you, after they deliver their schpiel, I don't think you'd need coffee anymore. More like a few dozen stiff drinks.
It's wonderfully shot and scripted but apparently drifts from what actually happened.
Damn good scene though.
Monday, 23 January 2023
The Last of Us: Girl With All The Gifts déjà vu?
It also reminded me of The Girl With All The Gifts, another post-apocalypse movie with cordyceps fungus zombies, a Special Girl protagonist, a mission to visit a doctor/scientist, the possibility of a cure, and lots of side characters who are rotten, miserable bastards who deserve to die (and do, in large numbers).
Having seen The Girl, I bet I can predict the ending of The Last.
As they say, it's not about the end, it's the journey. Heh.
I think that's actually an oversimplification, endings do matter, but there's still truth in the statement.
The Last of Us is very well produced, depicting a gob smackingly expensive looking dilapidated post-apocalypse, and I like Pedro.
Also, Craig Mazin (the dude behind the Chernobyl show, which was superb) is producing The Last of Us.
I bet it'll be an interesting journey.
I'll keep watching.
Sunday, 11 December 2022
The Creative Commons, AI Renderers and the Death of Cheap Credit
My understanding is that copyright laws were originally intended to protect creators and help assure them income and credit for their efforts. Copyright would last the writer/creator's lifetime plus fifty years, allowing their dependents the benefit of their creations as well. After that, the work would join the Creative Commons, enriching society and allowing others the chance to play with these wonderful memetic inventions.
The laws were designed before franchises became a thing, and, oh boy, have they complicated things.
Franchises emerged with the Penny Dreadfuls of the 1880s, small press anthology publications that came out weekly or monthly, and were filled with all manner of Victorian click bait, sordid tales of debauchery, high adventure, murder and monsters. At the high end you'd get things like Solomon Kane and Sherlock Holmes. Think of them as the spiritual forefathers of adventure serials from the thirties and forties. They were addictive, with cliffhangers, so you'd have to plunk down another penny to get the next instalment. By then the reader would be hooked on another ongoing story in the anthology.
And so an addict is born!
Franchise characters took on much larger life than their creators ever had, becoming immortal archetypes and perpetual money making machines... or would, except for the pesky expiry of that copyright law.
Then Disney steps into the picture.
Think of Disney as the Irresistible Force meeting... the Moveable Object. They wanted extensions on copyright protections for their prized franchise properties. And their lawyers were backed by big bucks. The courts blinked.
They've been tacking on extensions to copy right law ever since.
Where am I going with this?
The AI renderers have been training their tools on the work of living artists, work which has not yet entered the Creative Commons. True, they're just analyzing the art, same as art students do, but they're doing it on a massive scale and in a systematized way no human could. They are outside of anything legal protections were designed to address. No one anticipated (okay maybe Jules Verne, but that book of predictions didn't get published until like a decade or two ago) AI renderers.
Over the last 4 months, Midjourney has improved dramatically. The renderers were at first far short of commercially viable. After four months of improvements, they are damn close. The commercial art community has started raising the alarm, and renderers are being compared to art theft.
The crazy thing is that the AI renderers are just a side show for researchers, who want to bring about a utopia. There are so many areas where AI could seriously upend things, and just as many ways things could go wrong. Even the developers are getting a little unnerved. See this Vox article for more.
Right now, there's no law against an AI analyzing someone's work for the sake of training. But AI will be analyzing every area of human thought, sooner than later. It's going to be an issue.
It will affect so many fields, legislators won't be able to ignore it.
First, we will need to extend copyright to styles, to an artist's body of work, for the life of the artist plus fifty, at least insofar as an AI is concerned. This is especially true if, or when, AI are able to produce commercially equivalent product that is indistinguishable quality wise to the original human artist. Once that point is reached, we're going to see serious impact on our creative community. Just another shock after many.
Using AI renderers for fun is one thing, but using them commercially poses real ethical issues. Once an artist is dead and copyright expires, sure, let the AI sample away. Prior to that? We either shouldn't allow that to be done commercially, or a fee should be paid to the relevant artist being sampled. We need incentives to not only keep creative people creating, but to keep people joining those creative fields, not fleeing them in terror as they have visions of impoverishment.
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| We've analyzed the issue, sir, and there is a problem... |
I have played with Midjourney (it's wildly addictive) and used it for fun and social. I don't think you should charge for the renders it produces (which strikes me as being against the terms of service, anyone can freely use what Midjourney generates), but I am now wondering if it's even ethical to have a subscription at all, especially as it gets better and better.
And those outputs of Mickey Mouse doing nasty things makes me wonder what Disney thinking...
Hopefully the companies that created the AI renderers will come to an agreement with the artists before legislation is even needed.
Second, the AI Revolution will be HUGELY disruptive; a universal basic income will be needed to weather the social storms that follow. Free higher education, and continuing education, will be vital to maintaining a productive workforce, supporting workers as they retrain. Or try to. Humans don't learn as fast as AI.
If I lose my job, it's my problem. If twenty MILLION people lose their jobs all at once, it's society's problem; ie. the AI Revolution could (hey, I'm a writer, I'm imaginative. Oh, where are my smelling salts?) be followed by an old school revolution, one that involves the modern equivalent of torches and pitchforks.
There have already been troubling trends towards wealth polarization, of stagnating wages for the middle and lower classes, while CEO and billionaire wealth explodes.
Finally, the Baby Boomers are retiring. They are the largest generation EVER. They created the greatest pool of available credit in human history. Credit has never been as cheap as it has been in the last couple decades.
And soon all of that, the lifeblood of thousands of tech start ups that haven't turned a profit yet and live on investment money, will be gone.
Things are going to get a lot leaner. Health care costs and taxes will go up. There will be one working Gen Xer for every 4 retired boomers. That will make UBI and FHE even more difficult to implement.
An AI Revolution, however, could spike productivity, and provide enough surplus for everyone (a new Golden Age!). Or it could funnel wealth to a tiny percentage and leave millions penniless (welcome to Dystopia!).
And that is something we will get a say in, eventually, hopefully, with our votes.












































