Tuesday, 27 January 2026

F1 vs Weapons

F1 is about something. 

Weapons... not so much. Or at least, it's not about anything in a way I found very compelling.

The main theme of F1 concerns our need to prove ourselves, and the damage we can do in blind pursuit of validation and status. Only by relaxing that laser eyed focus on dominance can one truly excel. We collaborate to compete more effectively; fighting your own team because your ego can't handle, at any point, not being number one, is a losing strategy. 

PJ is the young turk driver in F1, out to prove himself to a tiresome degree, and Hayes is his old veteran foil. Cue lots of old man jokes. 

PJ is an unlikeable ass at first, which is naturally is key to his character arc

I'm not a big fan of racing movies, but F1 is sumptuously shot, races are phenomenal, and (joy oh joy) advance the character arcs. It's not just an excuse to film cars going fast. Well. Maybe it is, but there's more than enough character to keep you invested, even if you're not keen on the cars.

Through the scaffolding of car racing, the old codger finds his state of grace, the car designer proves her detractors wrong, and the young buck learns to let go of ego primacy

Sweet. 

Now that's a movie with something to say. 

Weapons... has no discernible character arcs. None. Everyone is the same at the beginning as they are at the end.

Unless they're dead.

Frankly, I'm not sure being turned into a vegetable by a witch counts as a character arc.

If you're looking for jump scares, this isn't the movie for you. 

This is a classier kind of horror flick, not a slasher, and it's full of atmosphere and tension. All of that is fabulously well done.

It's unpleasant, but then, it is a horror movie. 

The actors are great, they sell their characters well, but... none of them is very likeable or interesting. 

The villainess is properly nasty and menacing, but also shallow. She needs more depth to be compelling.

Both movies are solid entertainment, but odds are F1 will stick with you longer. 

Saturday, 24 January 2026

Villain stagnation and the Universe of the Daleks: Chapter 3

One thing I found frustrating as a kid was how stagnant the Daleks were. They were cool but limited villains, stuck in a repetitive loop of stories that rehashed all the same elements and added little. Good stories, mind you, but it felt like they could go further. Of course, one of the key traits about villains is that they are incapable of growth, instead doubling down on flaws. 

One of my absolute favourite Doctor Who Classic stories is Genesis of the Daleks. This one retcons their origins, but it also moves them forward the furthest since their introduction. It also introduces Davros, an absolutely fantastic character, played to perfection by the fantastic Michael Wisher. Davros has been described as Hitler crossed with Stephen Hawking (basically, a physically crippled yet frighteningly brilliant mad scientist-eugenicist), although that's not how I'd put it. 

Recently, Davies retconned Davros and made him physically abled. Why? Because he felt evil was being associated with disability. I don't agree, and find the retcon patronizing. Not to mention that, despite disability, Davros is one of the most dangerous and compelling villains to ever grace Doctor Who. That said, I get the sentiment. 

Beauty as good and ugly as evil is a trope in the same vein, which runs through fiction and particularly fairy tales. Goblins, trolls, witches, demons, devils, monsters, etcetera are all evil and ugly. Elves and angels are beatific, and therefore good. 

Underlying this logic are biological imperatives: beauty relates to youth and fertility, while the long noses, big ears, and wrinkles of witches and orcs code them as old. So favour the future generations, and discard the old and defunct. Old is dross, young is desire. 

So, should we redo orcs and goblins as beautiful, and elves as ugly, to fight this trope? 

Personally, I'd rather not mess with oodles of originals, and prefer just setting earlier work in context, rather than to 'fix' it. 

I do enjoy NEW work that plays with all manner of tropes. Something I wanted to do more of in future volumes of Dragon Garage. 

Anyway...

Mashing together WWI, space Nazis, eugenics, V2 rockets and body horror into a cracking good story, it also features Tom Baker at his dramatic best, supported by two of my favourite companions. 

True, the effects can't, and don't, live up to the narrative ambition, and the attack of the immobile giant clams is somewhat less than convincing, but the acting and the narrative sell it for me. I don't think kids these days can appreciate it anymore, they're too dependent on glitzy special effects to consume narrative with a less slick surface, but the story really fuelled my imagination as a child.

Heck, I accepted dinosaurs that were obviously hand puppets.

Story editors rejected several Terry Nation scripts because they were repetitive, which pushed Terry to come up with Davros. Stories after Genesis relied on Davros like a crutch, leaving the iconic villains in the background as glorified minions. 

And so, the Daleks remained one note villains: excellent at that one note, but little else. 

No flesh on the bones, so to speak. 

One of my goals with Universe of the Daleks was to flesh them out a bit, show the inner life of Daleks, while at the same time remaining true to their nature, and the thematic and moral purpose they serve in storytelling as villains.

One possible reason for their stagnation could be rights related: they're licensed from Terry Nation's estate, so what can be done with them may be very limited. On the other hand, the god-awful rainbow chiclet Daleks, Moffat's so-called 'new paradigm', would seem to refute that thought. 

You can catch chapter three of Universe of the Daleks over at an Archive of Our Own here

Give it a gander and let me know what you think.

I'm releasing a new chapter every Saturday afternoon, matinee time. 

Seems appropriate.

It's a proper old Hinchecliffian tale in style, with (some) banger cliffhangers, and an admittedly slower pace than the more frenetic reboot. 

Mind you, it does star the Tenth Doctor, who's fabulous fun to write for. 

Did I succeed? Did I fail? You decide!

Universe of the Daleks.

It's admittedly not kinky (AOO's real jam). I may post it here eventually instead.

NOTE: I found out there's a Dalek Universe line of stories, so changed the title to Purity of the Daleks, only to find someone has a Purity of the Daleks story out there already, so I changed it back. 

Monday, 12 January 2026

Doctor Who and the Universe of the Daleks: Chapter one

I wrote a fan fic! 

I kid you not. 

Eleven chapters.

The first one has a grand total of 2 views so far!

Two!

Millions cannot be far behind.

It's an old school Doctor Who story, a little Hinchecliffian (my fav era of the show, naturally). 

Talk about back to the future... 

I've never tried Fanfic before, unless you count spec scripts. 

I suppose that's fanfic in a way.

Archive of Our Own posting rules for date of publication: you can't schedule to post in the future (that'd be helpful!) but you can pick any date in the past, so if I want to publish in 1896, I can! 

I don't get it. 

Maybe people are reposting old stories from other places?

Check out the first chapter here.

Sunday, 4 January 2026

Plur1bus season finale and recommendation

Plur1bus is visually stunning. The framing of the last few episodes especially so: many shots were so striking and beautiful it was distracting.

In the season finale, Carol has a brief sojourn into bliss with her romantic ideal, Zosia, before The Hive rudely pulls her back down to earth and smacks her head into the pavement a few dozen times. 


Figuratively speaking, of course. 


We get a bevy of other info drops, learn where the signal originally came from, and some strongly hinted at vulnerabilities of The Hive.


Vince Gilligan’s team of writers doesn’t have everything worked out yet, but from the interviews I have listened to, I have confidence they’ll stick the landing. 


This is one of the sharpest, best written shows on air today: I can’t recommend it highly enough.


Give it a watch.